Days Of Thunder - PROFF pres. Soultorque Remix
30s preview
- Key
- 5A · C minor
- BPM
- 172
- Half-time
- 86
- Open Key
- 10m
- Energy
- 91/100
- Pop
- 10/100
- Length
- 6:03
- Released
- 2016
- Album
- Days Of Thunder (Incl. PROFF Pres. Soultorque Remix)
- Genre
- Downtempo
- Loudness
- -5.1 dB
- Dynamics
- 17.3 dB
- ISRC
- US83Z1652638
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 172 BPM in C minor (5A), Days Of Thunder - PROFF pres. Soultorque Remix is a downtempo production. The feel is dark and driving. It is vocal-led. The master keeps unusual dynamic range for club music (crest 17 dB). A 2016 production that still circulates in sets. Faster than 96% of PROFF's catalogue.
- Low end:
- more treble-tilted than 90% of PROFF's catalogue
- Groove:
- less groove-driven than 89% of PROFF's catalogue
- Energy:
- hotter than 76% of PROFF's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Days Of Thunder - PROFF pres. Soultorque Remix in?
Days Of Thunder - PROFF pres. Soultorque Remix by PROFF is in C minor, or 5A on the Camelot wheel.
What BPM is Days Of Thunder - PROFF pres. Soultorque Remix?
Days Of Thunder - PROFF pres. Soultorque Remix runs at 172 BPM.
What mixes well with Days Of Thunder - PROFF pres. Soultorque Remix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Days Of Thunder - PROFF pres. Soultorque Remix good for peak time?
With energy 91 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 172 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More downtempo
![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0118817d93c050b88d6a.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cac52b8e1bfdd7ed1e68.webp){kind=small}
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