U Gotta B Crazy (10Y rework)
30s preview
- Key
- 6A · G minor
- BPM
- 173
- Half-time
- 87
- Open Key
- 11m
- Energy
- 97/100
- Pop
- 0/100
- Length
- 4:49
- Released
- 2021
- Genre
- Drum N Bass
- Loudness
- -4.4 dB
- Dynamics
- 13.7 dB
- ISRC
- GBCJY2100230
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
U Gotta B Crazy (10Y rework) runs 173 BPM in G minor (6A), a drum n bass record. The groove is loose and less beat-driven. It is vocal-led. The timbre leans bright. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of London Elektricity's catalogue. In a set it works best as an opener or closing-set piece.
- Energy:
- hotter than 89% of London Elektricity's catalogue
- Groove:
- less groove-driven than 79% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is U Gotta B Crazy (10Y rework) in?
U Gotta B Crazy (10Y rework) by London Elektricity is in G minor, or 6A on the Camelot wheel.
What BPM is U Gotta B Crazy (10Y rework)?
U Gotta B Crazy (10Y rework) runs at 173 BPM.
What mixes well with U Gotta B Crazy (10Y rework)?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is U Gotta B Crazy (10Y rework) good for peak time?
With energy 97 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 173 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0118817d93c050b88d6a.webp){kind=small}
![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cac52b8e1bfdd7ed1e68.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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