Maybe I Was Wrong
- BPM
- 173
- Half-time
- 87
- Open Key
- 3m
- Energy
- 96/100
- Pop
- 5/100
- Length
- 7:16
- Released
- 2008
- Genre
- Drum N Bass
- Loudness
- -6.2 dB
- ISRC
- GBCJY1800239
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 173 BPM in B minor (10A), Maybe I Was Wrong is a drum n bass production. It reads as dark and driving. The mix is almost entirely instrumental. A 2008 production that still circulates in sets. Hotter than 85% of London Elektricity's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- better known than 81% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Maybe I Was Wrong in?
Maybe I Was Wrong by London Elektricity is in B minor, or 10A on the Camelot wheel.
What BPM is Maybe I Was Wrong?
Maybe I Was Wrong runs at 173 BPM.
What mixes well with Maybe I Was Wrong?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Maybe I Was Wrong good for peak time?
With energy 96 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 173 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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