Yikes! (10Y rework) by London Elektricity cover art

Yikes! (10Y rework)

London Elektricity

30s preview

Key
10A · B minor
BPM
173
Half-time
87
Open Key
3m
Energy
98/100
Pop
0/100
Length
6:53
Released
2021
Genre
Drum N Bass
Loudness
-5.1 dB
Dynamics
17.7 dB
ISRC
GBCJY2100221

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A drum n bass cut, Yikes! (10Y rework) sits in B minor (10A) at 173 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). More underground than 99% of London Elektricity's catalogue. In a set it works best as an opener or closing-set piece.

Energy:
hotter than 93% of London Elektricity's catalogue
Low end:
more treble-tilted than 93% of London Elektricity's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood28Dark
Groove45
Acoustic0
Instrumental76
Live14
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
25%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
27%
Upper-mid
570 Hz-2.5 kHz
21%
High
2.5-11 kHz

FAQ

What key is Yikes! (10Y rework) in?

Yikes! (10Y rework) by London Elektricity is in B minor, or 10A on the Camelot wheel.

What BPM is Yikes! (10Y rework)?

Yikes! (10Y rework) runs at 173 BPM.

What mixes well with Yikes! (10Y rework)?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Yikes! (10Y rework) good for peak time?

With energy 98 out of 100 at 173 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 173 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 173 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from London Elektricity

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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