Far From the Shadows
- Key
- 4A · F minor
- BPM
- 174
- Half-time
- 87
- Open Key
- 9m
- Energy
- 99/100
- Pop
- 0/100
- Length
- 5:13
- Released
- 2005
- Genre
- Drum N Bass
- Loudness
- -3.6 dB
- ISRC
- GBCJY0595012
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Far From the Shadows runs 174 BPM in F minor (4A), a drum n bass record. The feel is punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. A 2005 production that still circulates in sets. More underground than 99% of London Elektricity's catalogue. In a set it works best as an opener or closing-set piece.
- Energy:
- hotter than 96% of London Elektricity's catalogue
- Tempo:
- faster than 82% of London Elektricity's catalogue
- Groove:
- less groove-driven than 76% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Far From the Shadows in?
Far From the Shadows by London Elektricity is in F minor, or 4A on the Camelot wheel.
What BPM is Far From the Shadows?
Far From the Shadows runs at 174 BPM.
What mixes well with Far From the Shadows?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Far From the Shadows good for peak time?
With energy 99 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 174 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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