Beat Goes On by Calibre cover art

Beat Goes On

Calibre

30s preview

Key
3A · B♭ minor
BPM
87
Double-time
174
Open Key
8m
Energy
98/100
Pop
0/100
Length
5:27
Released
2008
Album
Overflow
Genre
Drum N Bass
Loudness
-9.8 dB
Dynamics
17.9 dB
ISRC
GBZSD0800038

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Beat Goes On runs 87 BPM in B♭ minor (3A), a downtempo drum n bass record. The feel is bright and euphoric. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). A 2008 production that still circulates in sets. More underground than 99% of Calibre's catalogue. For programming, treat it as an opener or closing-set piece.

Tempo:
slower than 96% of Calibre's catalogue
Energy:
hotter than 95% of Calibre's catalogue
Low end:
more treble-tilted than 92% of Calibre's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood74Bright
Groove64
Acoustic0
Instrumental70
Live44
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
25%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
22%
High
2.5-11 kHz

FAQ

What key is Beat Goes On in?

Beat Goes On by Calibre is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Beat Goes On?

Beat Goes On runs at 87 BPM, a downtempo track.

What mixes well with Beat Goes On?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Beat Goes On good for peak time?

With energy 98 out of 100 at 87 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 87 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 82-92 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 87 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Calibre

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 87 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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