Drop Ship by London Elektricity cover art

30s preview

Key
8A · A minor
BPM
173
Half-time
87
Open Key
1m
Energy
98/100
Pop
1/100
Length
5:05
Released
2015
Album
Are We There Yet? (Deluxe)
Genre
Drum N Bass
Loudness
-3.9 dB
Dynamics
14.9 dB
ISRC
GBCJY1500256

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 173 BPM in A minor (8A), Drop Ship is a drum n bass production. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). A 2015 production that still circulates in sets. Hotter than 95% of London Elektricity's catalogue. For programming, treat it as an opener or closing-set piece.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood37Balanced
Groove56
Acoustic13
Instrumental88
Live32
Speech17

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Drop Ship in?

Drop Ship by London Elektricity is in A minor, or 8A on the Camelot wheel.

What BPM is Drop Ship?

Drop Ship runs at 173 BPM.

What mixes well with Drop Ship?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Drop Ship good for peak time?

With energy 98 out of 100 at 173 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#TrackKey·BPM

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 173 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 173 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from London Elektricity

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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