The End by A.M.C cover art

The End

A.M.C

30s preview

Key
8B · C major
BPM
172
Half-time
86
Open Key
1d
Energy
100/100
Pop
0/100
Length
5:17
Released
2019
Genre
Drum N Bass
Loudness
0.6 dB
Dynamics
10.4 dB
ISRC
GB2LD1900285

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

The End runs 172 BPM in C major (8B), a drum n bass record. Tonally it lands punchy, neutral in mood. The master is loud and heavily compressed. More underground than 99% of A.M.C's catalogue. In a set it works best as an opener or closing-set piece.

Energy:
hotter than 95% of A.M.C's catalogue
Tempo:
slower than 92% of A.M.C's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy100
Mood41Balanced
Groove55
Acoustic0
Instrumental22
Live78
Speech18

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is The End in?

The End by A.M.C is in C major, or 8B on the Camelot wheel.

What BPM is The End?

The End runs at 172 BPM.

What mixes well with The End?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is The End good for peak time?

With energy 100 out of 100 at 172 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#TrackKey·BPM

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 172 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from A.M.C

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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