Disconnected
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 3m
- Energy
- 99/100
- Pop
- 3/100
- Length
- 4:58
- Released
- 2016
- Album
- Collision - EP
- Genre
- Drum N Bass
- Loudness
- -2.3 dB
- Dynamics
- 12.6 dB
- ISRC
- GB2LD0902448
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Disconnected sits in B minor (10A) at 174 BPM. It is vocal-led. Spoken-word passages run through it. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. More treble-tilted than 86% of A.M.C's catalogue.
- Tempo:
- slower than 83% of A.M.C's catalogue
- Energy:
- hotter than 82% of A.M.C's catalogue
- Brightness:
- brighter than 76% of A.M.C's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Disconnected in?
Disconnected by A.M.C is in B minor, or 10A on the Camelot wheel.
What BPM is Disconnected?
Disconnected runs at 174 BPM.
What mixes well with Disconnected?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Disconnected good for peak time?
With energy 99 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 174 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from A.M.C
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.