Get Ill
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 5m
- Energy
- 97/100
- Pop
- 0/100
- Length
- 6:03
- Released
- 2003
- Album
- The Original Doctor Shade
- Genre
- Drum N Bass
- Loudness
- -3.8 dB
- Dynamics
- 13.9 dB
- ISRC
- GBTKW0390431
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Get Ill runs 174 BPM in D♭ minor (12A), a drum n bass record. The feel is bright and euphoric. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 2003 production that still circulates in sets. More underground than 99% of Optical's catalogue.
- Brightness:
- brighter than 95% of Optical's catalogue
- Energy:
- hotter than 91% of Optical's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Get Ill in?
Get Ill by Optical is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Get Ill?
Get Ill runs at 174 BPM.
What mixes well with Get Ill?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Get Ill good for peak time?
With energy 97 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 174 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Optical
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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