Concrete by Optical cover art

Concrete

Optical

30s preview

Key
9A · E minor
BPM
175
Half-time
88
Open Key
2m
Energy
99/100
Pop
0/100
Length
5:26
Released
2006
Album
Chameleon
Genre
Drum N Bass
Loudness
-4.0 dB
Dynamics
12.1 dB
ISRC
GBTKW0690604
Explicit
Yes

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A drum n bass cut, Concrete sits in E minor (9A) at 175 BPM. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2006 production that still circulates in sets. Brighter than 99% of Optical's catalogue. In a set it works best as an opener or closing-set piece.

Reach:
more underground than 99% of Optical's catalogue
Energy:
hotter than 96% of Optical's catalogue
Tempo:
faster than 79% of Optical's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood96Bright
Groove54
Acoustic2
Instrumental2
Live28
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Concrete in?

Concrete by Optical is in E minor, or 9A on the Camelot wheel.

What BPM is Concrete?

Concrete runs at 175 BPM.

What mixes well with Concrete?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Concrete good for peak time?

With energy 99 out of 100 at 175 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#TrackKey·BPM

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 175 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 175 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Optical

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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