
Concrete
30s preview
- Key
- 9A · E minor
- BPM
- 175
- Half-time
- 88
- Open Key
- 2m
- Energy
- 99/100
- Pop
- 0/100
- Length
- 5:26
- Released
- 2006
- Album
- Chameleon
- Genre
- Drum N Bass
- Loudness
- -4.0 dB
- Dynamics
- 12.1 dB
- ISRC
- GBTKW0690604
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Concrete sits in E minor (9A) at 175 BPM. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2006 production that still circulates in sets. Brighter than 99% of Optical's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- more underground than 99% of Optical's catalogue
- Energy:
- hotter than 96% of Optical's catalogue
- Tempo:
- faster than 79% of Optical's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Concrete in?
Concrete by Optical is in E minor, or 9A on the Camelot wheel.
What BPM is Concrete?
Concrete runs at 175 BPM.
What mixes well with Concrete?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Concrete good for peak time?
With energy 99 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 175 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from Optical
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.