Warm Bass Rising - Social Security Full Rotation 2013 Remix
- BPM
- 173
- Half-time
- 87
- Open Key
- 5m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 6:44
- Released
- 2013
- Album
- The United Colours of Benefit - Vol.3 - 2013
- Genre
- Drum N Bass
- Loudness
- -4.0 dB
- ISRC
- GB8KE1350276
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Warm Bass Rising - Social Security Full Rotation 2013 Remix sits in D♭ minor (12A) at 173 BPM. The feel is dark and driving. The master is loud and heavily compressed. A 2013 production that still circulates in sets. More underground than 99% of Break's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- less groove-driven than 81% of Break's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Warm Bass Rising - Social Security Full Rotation 2013 Remix in?
Warm Bass Rising - Social Security Full Rotation 2013 Remix by Break is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Warm Bass Rising - Social Security Full Rotation 2013 Remix?
Warm Bass Rising - Social Security Full Rotation 2013 Remix runs at 173 BPM.
What mixes well with Warm Bass Rising - Social Security Full Rotation 2013 Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Warm Bass Rising - Social Security Full Rotation 2013 Remix good for peak time?
With energy 92 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 173 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0118817d93c050b88d6a.webp){kind=small}
![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cac52b8e1bfdd7ed1e68.webp){kind=small}
More from Break
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.