The Clamp
- BPM
- 174
- Half-time
- 87
- Open Key
- 4m
- Energy
- 95/100
- Pop
- 0/100
- Length
- 5:56
- Released
- 2009
- Album
- Last Chance / The Clamp
- Genre
- Drum N Bass
- Loudness
- -2.8 dB
- ISRC
- GBXJH0900006
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Clamp: drum n bass, F♯ minor (11A), 174 BPM. The master is loud and heavily compressed. A 2009 production that still circulates in sets. More underground than 99% of Break's catalogue.
- Groove:
- groovier than 81% of Break's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Clamp in?
The Clamp by Break is in F♯ minor, or 11A on the Camelot wheel.
What BPM is The Clamp?
The Clamp runs at 174 BPM.
What mixes well with The Clamp?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is The Clamp good for peak time?
With energy 95 out of 100 at 174 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 174 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Break
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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