Who Decides
- Key
- 1B · B major
- BPM
- 172
- Half-time
- 86
- Open Key
- 6d
- Energy
- 92/100
- Pop
- 0/100
- Length
- 5:15
- Released
- 2018
- Genre
- Drum N Bass
- Loudness
- -1.9 dB
- ISRC
- GBXJH1000113
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Who Decides sits in B major (1B) at 172 BPM. Tonally it lands dark and driving. The master is loud and heavily compressed. A 2018 production that still circulates in sets. More underground than 99% of Break's catalogue. For programming, treat it as an opener or closing-set piece.
- Brightness:
- darker than 96% of Break's catalogue
- Tempo:
- slower than 76% of Break's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Who Decides in?
Who Decides by Break is in B major, or 1B on the Camelot wheel.
What BPM is Who Decides?
Who Decides runs at 172 BPM.
What mixes well with Who Decides?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Who Decides good for peak time?
With energy 92 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 172 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from Break
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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