New Design by Break cover art

New Design

Break

30s preview

Key
3A · B♭ minor
BPM
172
Half-time
86
Open Key
8m
Energy
92/100
Pop
0/100
Length
6:29
Released
2014
Genre
Drum N Bass
Loudness
-5.3 dB
Dynamics
12.9 dB
ISRC
GBXJH1000040

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 172 BPM in B♭ minor (3A), New Design is a drum n bass production. It reads as punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2014 production that still circulates in sets. More underground than 99% of Break's catalogue. In a set it works best as a floor-filler.

Groove:
groovier than 77% of Break's catalogue
Tempo:
slower than 76% of Break's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood51Balanced
Groove70
Acoustic0
Instrumental66
Live25
Speech22

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is New Design in?

New Design by Break is in B♭ minor, or 3A on the Camelot wheel.

What BPM is New Design?

New Design runs at 172 BPM.

What mixes well with New Design?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is New Design good for peak time?

With energy 92 out of 100 at 172 BPM, it works best as a floor-filler.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 172 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Break

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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