City Stickers by Break cover art

City Stickers

Break

30s preview

Key
3B · D♭ major
BPM
172
Half-time
86
Open Key
8d
Energy
86/100
Pop
0/100
Length
5:45
Released
2018
Genre
Drum N Bass
Loudness
-2.3 dB
Dynamics
12.3 dB
ISRC
GBXJH1000127

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

City Stickers runs 172 BPM in D♭ major (3B), a drum n bass record. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. More underground than 99% of Break's catalogue. In a set it works best as a floor-filler.

Groove:
groovier than 87% of Break's catalogue
Energy:
calmer than 77% of Break's catalogue
Tempo:
slower than 76% of Break's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood34Balanced
Groove73
Acoustic0
Instrumental41
Live27
Speech14

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is City Stickers in?

City Stickers by Break is in D♭ major, or 3B on the Camelot wheel.

What BPM is City Stickers?

City Stickers runs at 172 BPM.

What mixes well with City Stickers?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is City Stickers good for peak time?

With energy 86 out of 100 at 172 BPM, it works best as a floor-filler.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 172 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Break

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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