Moving On
- BPM
- 172
- Half-time
- 86
- Open Key
- 8d
- Energy
- 83/100
- Pop
- 20/100
- Length
- 5:16
- Released
- 2014
- Genre
- Drum N Bass
- Loudness
- -3.6 dB
- ISRC
- UKEWB1600215
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Moving On: drum n bass, D♭ major (3B), 172 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. The master is loud and heavily compressed. A 2014 production that still circulates in sets. Groovier than 98% of Break's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- brighter than 97% of Break's catalogue
- Reach:
- better known than 90% of Break's catalogue
- Energy:
- calmer than 82% of Break's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Moving On in?
Moving On by Break is in D♭ major, or 3B on the Camelot wheel.
What BPM is Moving On?
Moving On runs at 172 BPM.
What mixes well with Moving On?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Moving On good for peak time?
With energy 83 out of 100 at 172 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 172 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from Break
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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