We’ll See
- BPM
- 174
- Half-time
- 87
- Open Key
- 4d
- Energy
- 81/100
- Pop
- 0/100
- Length
- 4:26
- Released
- 2013
- Genre
- Drum N Bass
- Loudness
- -4.2 dB
- ISRC
- GBSJN1300035
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 174 BPM in A major (11B), We’ll See is a drum n bass production. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. It is vocal-led. The master is loud and heavily compressed. A 2013 production that still circulates in sets. More underground than 99% of Break's catalogue. For programming, treat it as a floor-filler.
- Groove:
- groovier than 96% of Break's catalogue
- Energy:
- calmer than 87% of Break's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is We’ll See in?
We’ll See by Break is in A major, or 11B on the Camelot wheel.
What BPM is We’ll See?
We’ll See runs at 174 BPM.
What mixes well with We’ll See?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is We’ll See good for peak time?
With energy 81 out of 100 at 174 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 174 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Break
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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