
Empty Seat at the Table
- Key
- 9B · G major
- BPM
- 173
- Half-time
- 87
- Open Key
- 2d
- Energy
- 81/100
- Pop
- 0/100
- Length
- 4:13
- Released
- 2019
- Genre
- Drum N Bass
- Loudness
- -2.9 dB
- ISRC
- GBCJY2100310
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 173 BPM in G major (9B), Empty Seat at the Table is a drum n bass production. It reads as dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. More underground than 99% of London Elektricity's catalogue. For programming, treat it as an opener or closing-set piece.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Empty Seat at the Table in?
Empty Seat at the Table by London Elektricity is in G major, or 9B on the Camelot wheel.
What BPM is Empty Seat at the Table?
Empty Seat at the Table runs at 173 BPM.
What mixes well with Empty Seat at the Table?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Empty Seat at the Table good for peak time?
With energy 81 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 173 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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