Big Slick by Optical cover art

Big Slick

Optical

30s preview

Key
11A · F♯ minor
BPM
174
Half-time
87
Open Key
4m
Energy
81/100
Pop
2/100
Length
5:48
Released
2005
Genre
Drum N Bass
Loudness
-11.2 dB
Dynamics
14.9 dB
ISRC
GBTKW0590519

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Big Slick runs 174 BPM in F♯ minor (11A), a drum n bass record. It reads as punchy, neutral in mood. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2005 production that still circulates in sets. More treble-tilted than 81% of Optical's catalogue. In a set it works best as an opener or closing-set piece.

Groove:
less groove-driven than 80% of Optical's catalogue
Brightness:
brighter than 80% of Optical's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy81
Mood57Balanced
Groove47
Acoustic0
Instrumental69
Live16
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Big Slick in?

Big Slick by Optical is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Big Slick?

Big Slick runs at 174 BPM.

What mixes well with Big Slick?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Big Slick good for peak time?

With energy 81 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#TrackKey·BPM

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 174 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Optical

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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