Outnumbered by London Elektricity cover art

30s preview

Key
3B · D♭ major
BPM
173
Half-time
87
Open Key
8d
Energy
82/100
Pop
0/100
Length
5:18
Released
2008
Genre
Drum N Bass
Loudness
-6.2 dB
Dynamics
17.5 dB
ISRC
GBCJY1800223

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Outnumbered runs 173 BPM in D♭ major (3B), a drum n bass record. Tonally it lands dark and driving. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 18 dB). A 2008 production that still circulates in sets. More underground than 99% of London Elektricity's catalogue. In a set it works best as an opener or closing-set piece.

Low end:
more treble-tilted than 98% of London Elektricity's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood34Balanced
Groove47
Acoustic0
Instrumental6
Live32
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
19%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
27%
Upper-mid
570 Hz-2.5 kHz
22%
High
2.5-11 kHz

FAQ

What key is Outnumbered in?

Outnumbered by London Elektricity is in D♭ major, or 3B on the Camelot wheel.

What BPM is Outnumbered?

Outnumbered runs at 173 BPM.

What mixes well with Outnumbered?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Outnumbered good for peak time?

With energy 82 out of 100 at 173 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 173 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 173 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from London Elektricity

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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