Telefunken Lizard Filter
30s preview
- BPM
- 173
- Half-time
- 87
- Open Key
- 9d
- Energy
- 83/100
- Pop
- 2/100
- Length
- 5:30
- Released
- 2015
- Album
- Are We There Yet? (Deluxe)
- Genre
- Drum N Bass
- Loudness
- -4.7 dB
- Dynamics
- 12.7 dB
- ISRC
- GBCJY1500264
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Telefunken Lizard Filter - Rawtekk Remixremix6B · 87
Telefunken Lizard Filter runs 173 BPM in A♭ major (4B), a drum n bass record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2015 production that still circulates in sets. Darker than 86% of London Elektricity's catalogue.
- Low end:
- more bass-heavy than 85% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Telefunken Lizard Filter in?
Telefunken Lizard Filter by London Elektricity is in A♭ major, or 4B on the Camelot wheel.
What BPM is Telefunken Lizard Filter?
Telefunken Lizard Filter runs at 173 BPM.
What mixes well with Telefunken Lizard Filter?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Telefunken Lizard Filter good for peak time?
With energy 83 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 173 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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