Singing Ringing Tree - Anile Remix
30s preview
- Key
- 7B · F major
- BPM
- 173
- Half-time
- 87
- Open Key
- 12d
- Energy
- 84/100
- Pop
- 19/100
- Length
- 5:22
- Released
- 2016
- Album
- Are We There Yet? (The Med School Scans)
- Genre
- Drum N Bass
- Loudness
- -6.0 dB
- Dynamics
- 17.0 dB
- ISRC
- GBCJY1600156
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Singing Ringing Treeoriginal6B · 173
Against the original (6B at 173 BPM), this version holds the same tempo and moves the key from 6B to 7B.
Singing Ringing Tree - Anile Remix: drum n bass, F major (7B), 173 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 17 dB). A 2016 production that still circulates in sets. Less groove-driven than 99% of London Elektricity's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- better known than 91% of London Elektricity's catalogue
- Brightness:
- darker than 82% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Singing Ringing Tree - Anile Remix in?
Singing Ringing Tree - Anile Remix by London Elektricity is in F major, or 7B on the Camelot wheel.
What BPM is Singing Ringing Tree - Anile Remix?
Singing Ringing Tree - Anile Remix runs at 173 BPM.
What mixes well with Singing Ringing Tree - Anile Remix?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Singing Ringing Tree - Anile Remix good for peak time?
With energy 84 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 173 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0118817d93c050b88d6a.webp){kind=small}
![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cac52b8e1bfdd7ed1e68.webp){kind=small}
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.