GIN8PM - London Elektricity ver. - Radio Edit
30s preview
- Key
- 9B · G major
- BPM
- 173
- Half-time
- 87
- Open Key
- 2d
- Energy
- 86/100
- Pop
- 0/100
- Length
- 4:48
- Released
- 2021
- Album
- GIN8PM (London Elektricity ver.)
- Genre
- Drum N Bass
- Loudness
- -4.6 dB
- Dynamics
- 10.5 dB
- ISRC
- JPJ932100019
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- GIN8PM - London Elektricity ver. - Full Lengthoriginal9B · 173
Against the original (9B at 173 BPM), this version holds the same tempo in the same key.
A drum n bass cut, GIN8PM - London Elektricity ver. - Radio Edit sits in G major (9B) at 173 BPM. The feel is dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. More underground than 99% of London Elektricity's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- less groove-driven than 85% of London Elektricity's catalogue
- Brightness:
- darker than 77% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is GIN8PM - London Elektricity ver. - Radio Edit in?
GIN8PM - London Elektricity ver. - Radio Edit by London Elektricity is in G major, or 9B on the Camelot wheel.
What BPM is GIN8PM - London Elektricity ver. - Radio Edit?
GIN8PM - London Elektricity ver. - Radio Edit runs at 173 BPM.
What mixes well with GIN8PM - London Elektricity ver. - Radio Edit?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is GIN8PM - London Elektricity ver. - Radio Edit good for peak time?
With energy 86 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 173 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0118817d93c050b88d6a.webp){kind=small}
![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cac52b8e1bfdd7ed1e68.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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