Nowhere To Go But Everywhere
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 4m
- Energy
- 87/100
- Pop
- 29/100
- Length
- 5:18
- Released
- 2020
- Genre
- Drum N Bass
- Loudness
- -4.0 dB
- Dynamics
- 10.9 dB
- ISRC
- GBCJY2000131
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Nowhere To Go But Everywhere runs 174 BPM in F♯ minor (11A), a drum n bass record. The feel is dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Darker than 89% of Etherwood's catalogue. For programming, treat it as an opener or closing-set piece.
- Reach:
- better known than 85% of Etherwood's catalogue
- Low end:
- more bass-heavy than 79% of Etherwood's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Nowhere To Go But Everywhere in?
Nowhere To Go But Everywhere by Etherwood is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Nowhere To Go But Everywhere?
Nowhere To Go But Everywhere runs at 174 BPM.
What mixes well with Nowhere To Go But Everywhere?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Nowhere To Go But Everywhere good for peak time?
With energy 87 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 174 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Etherwood
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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