Flesh Music (10Y rework)
30s preview
- Key
- 7A · D minor
- BPM
- 175
- Half-time
- 88
- Open Key
- 12m
- Energy
- 88/100
- Pop
- 0/100
- Length
- 5:29
- Released
- 2021
- Genre
- Drum N Bass
- Loudness
- -6.3 dB
- Dynamics
- 12.2 dB
- ISRC
- GBCJY2100219
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Flesh Music (10Y rework) sits in D minor (7A) at 175 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of London Elektricity's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- faster than 92% of London Elektricity's catalogue
- Brightness:
- darker than 83% of London Elektricity's catalogue
- Groove:
- less groove-driven than 82% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Flesh Music (10Y rework) in?
Flesh Music (10Y rework) by London Elektricity is in D minor, or 7A on the Camelot wheel.
What BPM is Flesh Music (10Y rework)?
Flesh Music (10Y rework) runs at 175 BPM.
What mixes well with Flesh Music (10Y rework)?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Flesh Music (10Y rework) good for peak time?
With energy 88 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 175 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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