Bogeyman Bullshit by Calibre cover art

Bogeyman Bullshit

Calibre

30s preview

Key
3A · B♭ minor
BPM
175
Half-time
88
Open Key
8m
Energy
90/100
Pop
0/100
Length
5:34
Released
2015
Album
Fourfit EP 04
Genre
Drum N Bass
Loudness
-4.8 dB
Dynamics
15.8 dB
ISRC
GBZPZ1500022

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Bogeyman Bullshit is a drum n bass track in B♭ minor (3A) at 175 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 16 dB). A 2015 production that still circulates in sets. More underground than 99% of Calibre's catalogue. In a set it works best as an opener or closing-set piece.

Energy:
hotter than 75% of Calibre's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood51Balanced
Groove66
Acoustic0
Instrumental88
Live8
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Bogeyman Bullshit in?

Bogeyman Bullshit by Calibre is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Bogeyman Bullshit?

Bogeyman Bullshit runs at 175 BPM.

What mixes well with Bogeyman Bullshit?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Bogeyman Bullshit good for peak time?

With energy 90 out of 100 at 175 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 175 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 175 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Calibre

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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