Overtones - PROFF Remix
30s preview
- BPM
- 122
- Open Key
- 3m
- Energy
- 80/100
- Pop
- 32/100
- Length
- 4:24
- Released
- 2021
- Album
- Overtones (The Remixes)
- Genre
- Progressive House
- Loudness
- -4.4 dB
- Dynamics
- 9.0 dB
- ISRC
- GBEWA1910791
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Overtones - PROFF Extended Mixversion12A · 122
A club-tempo progressive house cut, Overtones - PROFF Remix sits in B minor (10A) at 122 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 94% of PROFF's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 91% of PROFF's catalogue
- Brightness:
- darker than 76% of PROFF's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Overtones - PROFF Remix in?
Overtones - PROFF Remix by PROFF is in B minor, or 10A on the Camelot wheel.
What BPM is Overtones - PROFF Remix?
Overtones - PROFF Remix runs at 122 BPM, a club-tempo track.
What mixes well with Overtones - PROFF Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Overtones - PROFF Remix good for peak time?
With energy 80 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 122 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
![Moments Becoming Endless Time [Dub Mix] by Guy Mantzur cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/2fc776d378a00f8d9504.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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