Slumber Rain Elegy
30s preview
- Key
- 8A · A minor
- BPM
- 128
- Open Key
- 1m
- Energy
- 44/100
- Pop
- 36/100
- Length
- 2:47
- Released
- 2017
- Album
- Misidentified EP
- Genre
- Progressive House
- Loudness
- -12.1 dB
- Dynamics
- 13.4 dB
- ISRC
- GBJAJ1700237
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 128 BPM in A minor (8A), Slumber Rain Elegy is a peak-time tempo progressive house production. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2017 production that still circulates in sets. Better known than 96% of PROFF's catalogue.
- Energy:
- calmer than 94% of PROFF's catalogue
- Groove:
- less groove-driven than 89% of PROFF's catalogue
- Low end:
- more treble-tilted than 78% of PROFF's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Slumber Rain Elegy in?
Slumber Rain Elegy by PROFF is in A minor, or 8A on the Camelot wheel.
What BPM is Slumber Rain Elegy?
Slumber Rain Elegy runs at 128 BPM, a peak-time tempo track.
What mixes well with Slumber Rain Elegy?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Slumber Rain Elegy good for peak time?
With energy 44 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 128 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
![End Of All Things [In My Next Life Mix] by Andrew Bayer cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/384ff98823a0e78ab8c7.webp){kind=small}
More progressive house
More from PROFF
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![New York City [Take Me Away] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e024afa591b7cba9434a9ed1cef){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.