From Grey To Light - Extended Mix
30s preview
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 46/100
- Pop
- 18/100
- Length
- 5:01
- Released
- 2024
- Album
- Tranquility Base Vol. 2
- Genre
- Progressive Trance
- Loudness
- -18.5 dB
- Dynamics
- 10.6 dB
- ISRC
- GBEWA2406513
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- From Grey To Lightoriginal9B · 128
Against the original (9B at 128 BPM), this version holds the same tempo in the same key.
At 128 BPM in G major (9B), From Grey To Light - Extended Mix is a peak-time tempo progressive trance production. Tonally it lands dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Calmer than 84% of Above & Beyond's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 81% of Above & Beyond's catalogue
- Brightness:
- darker than 79% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is From Grey To Light - Extended Mix in?
From Grey To Light - Extended Mix by Above & Beyond is in G major, or 9B on the Camelot wheel.
What BPM is From Grey To Light - Extended Mix?
From Grey To Light - Extended Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with From Grey To Light - Extended Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is From Grey To Light - Extended Mix good for peak time?
With energy 46 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive trance
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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