Caress 2 Impress (Markus Schulz Big Room Reconstruction Edit)
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 52/100
- Pop
- 0/100
- Length
- 4:00
- Released
- 2011
- Album
- Prague '11
- Genre
- Trance
- Loudness
- -10.8 dB
- ISRC
- NLF711100137
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 128 BPM in G major (9B), Caress 2 Impress (Markus Schulz Big Room Reconstruction Edit) is a peak-time tempo trance production. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 97% of Markus Schulz's catalogue
- Groove:
- groovier than 96% of Markus Schulz's catalogue
- Brightness:
- darker than 87% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Caress 2 Impress (Markus Schulz Big Room Reconstruction Edit) in?
Caress 2 Impress (Markus Schulz Big Room Reconstruction Edit) by Markus Schulz is in G major, or 9B on the Camelot wheel.
What BPM is Caress 2 Impress (Markus Schulz Big Room Reconstruction Edit)?
Caress 2 Impress (Markus Schulz Big Room Reconstruction Edit) runs at 128 BPM, a peak-time tempo track.
What mixes well with Caress 2 Impress (Markus Schulz Big Room Reconstruction Edit)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Caress 2 Impress (Markus Schulz Big Room Reconstruction Edit) good for peak time?
With energy 52 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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