Traverse - Original Mix
30s preview
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 52/100
- Pop
- 0/100
- Length
- 7:11
- Released
- 2013
- Album
- Traverse
- Genre
- Progressive House
- Loudness
- -8.3 dB
- Dynamics
- 12.9 dB
- ISRC
- US83Z1325416
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Traverse - Original Mix: peak-time tempo progressive house, G major (9B), 128 BPM. It reads as dark and steady. The mix is almost entirely instrumental. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. More underground than 99% of PROFF's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 91% of PROFF's catalogue
- Groove:
- less groove-driven than 80% of PROFF's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Traverse - Original Mix in?
Traverse - Original Mix by PROFF is in G major, or 9B on the Camelot wheel.
What BPM is Traverse - Original Mix?
Traverse - Original Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Traverse - Original Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Traverse - Original Mix good for peak time?
With energy 52 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
![Open End Resource [In My Next Life Mix] by Andrew Bayer cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/384ff98823a0e78ab8c7.webp){kind=small}
More progressive house
More from PROFF
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.