![Tidal Wave [In My Next Life Mix] by Andrew Bayer cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/384ff98823a0e78ab8c7.webp)
Tidal Wave [In My Next Life Mix]
30s preview
- BPM
- 128
- Open Key
- 11d
- Energy
- 53/100
- Pop
- 7/100
- Length
- 5:45
- Released
- 2019
- Genre
- Progressive Trance
- Loudness
- -7.3 dB
- Dynamics
- 14.9 dB
- ISRC
- GBEWA1901060
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tidal Waveoriginal6B · 75
Tidal Wave [In My Next Life Mix]: peak-time tempo progressive trance, B♭ major (6B), 128 BPM. The groove is loose and less beat-driven. It is vocal-led. The master keeps unusual dynamic range for club music (crest 15 dB). More treble-tilted than 97% of Andrew Bayer's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 82% of Andrew Bayer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Tidal Wave [In My Next Life Mix] in?
Tidal Wave [In My Next Life Mix] by Andrew Bayer is in B♭ major, or 6B on the Camelot wheel.
What BPM is Tidal Wave [In My Next Life Mix]?
Tidal Wave [In My Next Life Mix] runs at 128 BPM, a peak-time tempo track.
What mixes well with Tidal Wave [In My Next Life Mix]?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Tidal Wave [In My Next Life Mix] good for peak time?
With energy 53 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 128 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
![New York City [Take Me Away] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e024afa591b7cba9434a9ed1cef){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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