Home (feat. Johnny McDaid) - Wippenberg Remix
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 54/100
- Pop
- 0/100
- Length
- 8:38
- Released
- 2009
- Album
- Home (feat. Johnny McDaid)
- Genre
- Trance
- Loudness
- -8.5 dB
- Dynamics
- 16.9 dB
- ISRC
- DEW760900088
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Home - Escape Mixoriginal10B · 137
- Home - Paul van Dyk Radio Mixversion10B · 137
- Home (feat. Johnny McDaid) - PvD Club Mixversion10A · 139
- Home (feat. Johnny McDaid) - Cosmic Gate Remixremix10A · 135
- Home - PVD Club Mixversion10A · 140
- Home - Kaskade Radio Mixversion10A · 130
Against the original (10B at 137 BPM), this version runs 9 BPM slower and moves the key from 10B to 10A.
At 128 BPM in B minor (10A), Home (feat. Johnny McDaid) - Wippenberg Remix is a peak-time tempo trance production. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 17 dB). A 2009 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue.
- Low end:
- more treble-tilted than 99% of Paul van Dyk's catalogue
- Groove:
- groovier than 98% of Paul van Dyk's catalogue
- Tempo:
- slower than 94% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 22%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Home (feat. Johnny McDaid) - Wippenberg Remix in?
Home (feat. Johnny McDaid) - Wippenberg Remix by Paul van Dyk is in B minor, or 10A on the Camelot wheel.
What BPM is Home (feat. Johnny McDaid) - Wippenberg Remix?
Home (feat. Johnny McDaid) - Wippenberg Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Home (feat. Johnny McDaid) - Wippenberg Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Home (feat. Johnny McDaid) - Wippenberg Remix good for peak time?
With energy 54 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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