Love Will (feat. Duane Harden) - Jesse Voorn Remix
- Key
- 4A · F minor
- BPM
- 128
- Open Key
- 9m
- Energy
- 54/100
- Pop
- 0/100
- Length
- 6:46
- Released
- 2013
- Album
- Love Will (feat. Duane Harden)
- Genre
- Trance
- Loudness
- -5.6 dB
- ISRC
- NLQ881100984
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Love Will - Radio Editversion4A · 130
- Love Will (feat. Duane Harden) - Greenflash Remixremix5A · 130
- Love Will (feat. Duane Harden) - Radio Editversion4A · 130
- Love Will (feat. Duane Harden)original4A · 130
Against the original (4A at 130 BPM), this version runs 2 BPM slower in the same key.
A peak-time tempo trance cut, Love Will (feat. Duane Harden) - Jesse Voorn Remix sits in F minor (4A) at 128 BPM. Tonally it lands bright and easy. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. Groovier than 99% of Ferry Corsten's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 99% of Ferry Corsten's catalogue
- Brightness:
- brighter than 93% of Ferry Corsten's catalogue
- Energy:
- calmer than 88% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Love Will (feat. Duane Harden) - Jesse Voorn Remix in?
Love Will (feat. Duane Harden) - Jesse Voorn Remix by Ferry Corsten is in F minor, or 4A on the Camelot wheel.
What BPM is Love Will (feat. Duane Harden) - Jesse Voorn Remix?
Love Will (feat. Duane Harden) - Jesse Voorn Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Love Will (feat. Duane Harden) - Jesse Voorn Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Love Will (feat. Duane Harden) - Jesse Voorn Remix good for peak time?
With energy 54 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 128 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Ferry Corsten
Full profile
![New Inner Way (ASOT 1215) [Trending Track] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e027d6073953cf296ab1c10248a){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.