Summer Long, Now Gone - London Modular Alliance Remix
30s preview
- BPM
- 128
- Open Key
- 8m
- Energy
- 53/100
- Pop
- 0/100
- Length
- 4:47
- Released
- 2020
- Album
- 20 Days Remixes Vol. 1
- Genre
- Tech House
- Loudness
- -11.4 dB
- Dynamics
- 20.1 dB
- ISRC
- UKFMN1600110
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Summer Long, Now Goneoriginal3A · 125
- Summer Long, Now Gone - Desert Sound Colony Remixremix4B · 130
Against the original (3A at 125 BPM), this version runs 3 BPM faster in the same key.
Summer Long, Now Gone - London Modular Alliance Remix is a peak-time tempo tech house track in B♭ minor (3A) at 128 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 20 dB). More underground than 99% of Third Son's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more treble-tilted than 97% of Third Son's catalogue
- Brightness:
- darker than 91% of Third Son's catalogue
- Energy:
- calmer than 84% of Third Son's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Summer Long, Now Gone - London Modular Alliance Remix in?
Summer Long, Now Gone - London Modular Alliance Remix by Third Son is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Summer Long, Now Gone - London Modular Alliance Remix?
Summer Long, Now Gone - London Modular Alliance Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Summer Long, Now Gone - London Modular Alliance Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Summer Long, Now Gone - London Modular Alliance Remix good for peak time?
With energy 53 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Third Son
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.