Summer Long, Now Gone - Desert Sound Colony Remix
- BPM
- 130
- Open Key
- 9d
- Energy
- 68/100
- Pop
- 0/100
- Length
- 5:16
- Released
- 2020
- Album
- 20 Days Remixes Vol. 3
- Genre
- Tech House
- Loudness
- -7.6 dB
- ISRC
- UKFMN1600119
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Summer Long, Now Goneoriginal3A · 125
- Summer Long, Now Gone - London Modular Alliance Remixremix3A · 128
Against the original (3A at 125 BPM), this version runs 5 BPM faster and moves the key from 3A to 4B.
Summer Long, Now Gone - Desert Sound Colony Remix: peak-time tempo tech house, A♭ major (4B), 130 BPM. The mix is almost entirely instrumental. More underground than 99% of Third Son's catalogue.
- Tempo:
- faster than 90% of Third Son's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Summer Long, Now Gone - Desert Sound Colony Remix in?
Summer Long, Now Gone - Desert Sound Colony Remix by Third Son is in A♭ major, or 4B on the Camelot wheel.
What BPM is Summer Long, Now Gone - Desert Sound Colony Remix?
Summer Long, Now Gone - Desert Sound Colony Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Summer Long, Now Gone - Desert Sound Colony Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Summer Long, Now Gone - Desert Sound Colony Remix good for peak time?
With energy 68 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 130 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More tech house
More from Third Son
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.