Too Bad To Forgive - Original Mix
30s preview
- Key
- 6A · G minor
- BPM
- 128
- Open Key
- 11m
- Energy
- 53/100
- Pop
- 1/100
- Length
- 8:08
- Released
- 2011
- Album
- Too Bad To Forgive
- Genre
- Progressive House
- Loudness
- -10.5 dB
- Dynamics
- 9.4 dB
- ISRC
- CH3131100260
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Too Bad To Forgive - Instrumental Mixoriginal6B · 128
A peak-time tempo progressive house cut, Too Bad To Forgive - Original Mix sits in G minor (6A) at 128 BPM. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. More bass-heavy than 97% of Jerome Isma-Ae's catalogue.
- Energy:
- calmer than 95% of Jerome Isma-Ae's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Too Bad To Forgive - Original Mix in?
Too Bad To Forgive - Original Mix by Jerome Isma-Ae is in G minor, or 6A on the Camelot wheel.
What BPM is Too Bad To Forgive - Original Mix?
Too Bad To Forgive - Original Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Too Bad To Forgive - Original Mix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Too Bad To Forgive - Original Mix good for peak time?
With energy 53 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 128 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from Jerome Isma-Ae
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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