Too Bad To Forgive - Instrumental Mix
- BPM
- 128
- Open Key
- 11d
- Energy
- 57/100
- Pop
- 0/100
- Length
- 8:08
- Released
- 2011
- Album
- Too Bad To Forgive
- Genre
- Progressive House
- Loudness
- -10.2 dB
- ISRC
- NLF711403828
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Too Bad To Forgive - Original Mixoriginal6A · 128
Against the original (6A at 128 BPM), this version holds the same tempo and moves the key from 6A to 6B.
Too Bad To Forgive - Instrumental Mix is a peak-time tempo progressive house track in B♭ major (6B) at 128 BPM. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. It is vocal-led. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. More underground than 99% of Jerome Isma-Ae's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 93% of Jerome Isma-Ae's catalogue
- Brightness:
- brighter than 77% of Jerome Isma-Ae's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Too Bad To Forgive - Instrumental Mix in?
Too Bad To Forgive - Instrumental Mix by Jerome Isma-Ae is in B♭ major, or 6B on the Camelot wheel.
What BPM is Too Bad To Forgive - Instrumental Mix?
Too Bad To Forgive - Instrumental Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Too Bad To Forgive - Instrumental Mix?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Too Bad To Forgive - Instrumental Mix good for peak time?
With energy 57 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 128 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from Jerome Isma-Ae
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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