The Return of Disco - Original Vox Mix
- Key
- 7A · D minor
- BPM
- 128
- Open Key
- 12m
- Energy
- 59/100
- Pop
- 0/100
- Length
- 5:37
- Released
- 2011
- Album
- Chicago House Music EP
- Genre
- House
- Loudness
- -7.6 dB
- ISRC
- NLZ501100011
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Return of Disco - GF Dirty Dubversion4A · 128
- The Return of Disco - Gramophonedzie Summer Jam Mixoriginal6A · 128
At 128 BPM in D minor (7A), The Return of Disco - Original Vox Mix is a peak-time tempo house production. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of Gene Farris's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 89% of Gene Farris's catalogue
- Tempo:
- faster than 82% of Gene Farris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Return of Disco - Original Vox Mix in?
The Return of Disco - Original Vox Mix by Gene Farris is in D minor, or 7A on the Camelot wheel.
What BPM is The Return of Disco - Original Vox Mix?
The Return of Disco - Original Vox Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with The Return of Disco - Original Vox Mix?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is The Return of Disco - Original Vox Mix good for peak time?
With energy 59 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 128 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Gene Farris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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