Many Ways (Radio Edit)
- Key
- 7B · F major
- BPM
- 128
- Open Key
- 12d
- Energy
- 55/100
- Pop
- 0/100
- Length
- 3:17
- Released
- 2013
- Album
- Many Ways
- Genre
- Trance
- Loudness
- -6.8 dB
- ISRC
- NLQ881301125
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Many Ways (Original Mix)original8B · 128
- Many Ways (Row Rocka Remix)remix7B · 128
- Many Ways (Will Atkinson Midnight Remix)remix8A · 136
Against the original (8B at 128 BPM), this version holds the same tempo and moves the key from 8B to 7B.
Many Ways (Radio Edit) runs 128 BPM in F major (7B), a peak-time tempo trance record. Tonally it lands dark and steady. It is vocal-led. A 2013 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 87% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Many Ways (Radio Edit) in?
Many Ways (Radio Edit) by Ferry Corsten is in F major, or 7B on the Camelot wheel.
What BPM is Many Ways (Radio Edit)?
Many Ways (Radio Edit) runs at 128 BPM, a peak-time tempo track.
What mixes well with Many Ways (Radio Edit)?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Many Ways (Radio Edit) good for peak time?
With energy 55 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
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How to mix it
In 7B at 128 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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