Connected
30s preview
- Key
- 7A · D minor
- BPM
- 128
- Open Key
- 12m
- Energy
- 59/100
- Pop
- 0/100
- Length
- 3:36
- Released
- 2017
- Genre
- Trance
- Loudness
- -5.7 dB
- Dynamics
- 12.8 dB
- ISRC
- DEN061700063
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Connected is a peak-time tempo trance track in D minor (7A) at 128 BPM. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2017 production that still circulates in sets. Calmer than 99% of Andrew Rayel's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Andrew Rayel's catalogue
- Groove:
- groovier than 96% of Andrew Rayel's catalogue
- Tempo:
- slower than 92% of Andrew Rayel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Connected in?
Connected by Andrew Rayel is in D minor, or 7A on the Camelot wheel.
What BPM is Connected?
Connected runs at 128 BPM, a peak-time tempo track.
What mixes well with Connected?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Connected good for peak time?
With energy 59 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
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How to mix it
In 7A at 128 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.