A Wonderful Day - Robert Mint Remix
- Key
- 8A · A minor
- BPM
- 128
- Open Key
- 1m
- Energy
- 61/100
- Pop
- 3/100
- Length
- 5:36
- Released
- 2012
- Album
- (R)Evolution [The Remixes]
- Genre
- Trance
- Loudness
- -7.8 dB
- ISRC
- DEQ691300012
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- A Wonderful Dayoriginal9B · 136
- A Wonderful Day - Extended Mixversion9B · 136
Against the original (9B at 136 BPM), this version runs 8 BPM slower and moves the key from 9B to 8A.
A Wonderful Day - Robert Mint Remix runs 128 BPM in A minor (8A), a peak-time tempo trance record. The groove is strong and floor-ready. A 2012 production that still circulates in sets. Groovier than 99% of Paul van Dyk's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 94% of Paul van Dyk's catalogue
- Energy:
- calmer than 88% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is A Wonderful Day - Robert Mint Remix in?
A Wonderful Day - Robert Mint Remix by Paul van Dyk is in A minor, or 8A on the Camelot wheel.
What BPM is A Wonderful Day - Robert Mint Remix?
A Wonderful Day - Robert Mint Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with A Wonderful Day - Robert Mint Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is A Wonderful Day - Robert Mint Remix good for peak time?
With energy 61 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
![This Generation [Indio] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02732ea494075fbb6a04876a9d){kind=small}
How to mix it
In 8A at 128 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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