![Open End Resource [In My Next Life Mix] by Andrew Bayer cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/384ff98823a0e78ab8c7.webp)
Open End Resource [In My Next Life Mix]
- BPM
- 128
- Open Key
- 3m
- Energy
- 52/100
- Pop
- 15/100
- Length
- 4:48
- Released
- 2018
- Genre
- Progressive Trance
- Loudness
- -6.8 dB
- ISRC
- GBEWA1803100
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Open End Resourceoriginal10B · 125
Open End Resource [In My Next Life Mix]: peak-time tempo progressive trance, B minor (10A), 128 BPM. The feel is dark and steady. It is vocal-led. A 2018 production that still circulates in sets. Better known than 86% of Andrew Bayer's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Open End Resource [In My Next Life Mix] in?
Open End Resource [In My Next Life Mix] by Andrew Bayer is in B minor, or 10A on the Camelot wheel.
What BPM is Open End Resource [In My Next Life Mix]?
Open End Resource [In My Next Life Mix] runs at 128 BPM, a peak-time tempo track.
What mixes well with Open End Resource [In My Next Life Mix]?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Open End Resource [In My Next Life Mix] good for peak time?
With energy 52 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![New York City [Take Me Away] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e024afa591b7cba9434a9ed1cef){kind=small}
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive trance
More from Andrew Bayer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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