Not Afraid to Fall
30s preview
- Key
- 7A · D minor
- BPM
- 128
- Open Key
- 12m
- Energy
- 52/100
- Pop
- 0/100
- Length
- 4:01
- Released
- 2020
- Album
- Escape
- Genre
- Trance
- Loudness
- -9.0 dB
- Dynamics
- 13.8 dB
- ISRC
- NLE712000700
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Not Afraid to Fall - Markus Schulz Escape Mixoriginal7A · 134
- Not Afraid to Fall (Destinations 25) - Markus Schulz Escape Mixoriginal7A · 135
- Not Afraid to Fall (Destinations 15) - Markus Schulz Escape Mixoriginal7A · 135
- Not Afraid To Fall - Extended Mixversion7A · 128
- Not Afraid To Fall - Markus Schulz Extended Escape Mixversion7A · 134
- Not Afraid To Fall - The WLT Extended Remixremix7A · 138
At 128 BPM in D minor (7A), Not Afraid to Fall is a peak-time tempo trance production. The feel is dark and steady. The groove is loose and less beat-driven. It is vocal-led. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of Markus Schulz's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 97% of Markus Schulz's catalogue
- Groove:
- less groove-driven than 91% of Markus Schulz's catalogue
- Tempo:
- slower than 77% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Not Afraid to Fall in?
Not Afraid to Fall by Markus Schulz is in D minor, or 7A on the Camelot wheel.
What BPM is Not Afraid to Fall?
Not Afraid to Fall runs at 128 BPM, a peak-time tempo track.
What mixes well with Not Afraid to Fall?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Not Afraid to Fall good for peak time?
With energy 52 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 128 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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