Caught - Instrumental Club Mix
30s preview
- BPM
- 128
- Open Key
- 8m
- Energy
- 54/100
- Pop
- 0/100
- Length
- 6:08
- Released
- 2012
- Album
- Caught (The Remixes)
- Genre
- Trance
- Loudness
- -5.4 dB
- Dynamics
- 10.8 dB
- ISRC
- NLF711204364
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Caughtoriginal2B · 128
- Caught - Club Mixversion3A · 128
- Caught - Duderstadt Radio Editversion3B · 128
- Caught - Duderstadt Remixremix3B · 128
- Caught - Tritonal Club Mixversion3A · 128
- Caught - Tritonal Radio Editversion3A · 128
Against the original (2B at 128 BPM), this version holds the same tempo and moves the key from 2B to 3A.
A peak-time tempo trance cut, Caught - Instrumental Club Mix sits in B♭ minor (3A) at 128 BPM. The mix is almost entirely instrumental. A 2012 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 95% of Markus Schulz's catalogue
- Groove:
- groovier than 91% of Markus Schulz's catalogue
- Low end:
- more treble-tilted than 78% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Caught - Instrumental Club Mix in?
Caught - Instrumental Club Mix by Markus Schulz is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Caught - Instrumental Club Mix?
Caught - Instrumental Club Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Caught - Instrumental Club Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Caught - Instrumental Club Mix good for peak time?
With energy 54 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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