Many Ways (Original Mix)
30s preview
- Key
- 8B · C major
- BPM
- 128
- Open Key
- 1d
- Energy
- 43/100
- Pop
- 0/100
- Length
- 5:20
- Released
- 2013
- Album
- Many Ways
- Genre
- Trance
- Loudness
- -7.9 dB
- Dynamics
- 15.2 dB
- ISRC
- NLQ881301124
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Many Ways (Radio Edit)version7B · 128
- Many Ways (Row Rocka Remix)remix7B · 128
- Many Ways (Will Atkinson Midnight Remix)remix8A · 136
Many Ways (Original Mix) is a peak-time tempo trance track in C major (8B) at 128 BPM. The feel is dark and steady. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 2013 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- groovier than 91% of Ferry Corsten's catalogue
- Energy:
- calmer than 90% of Ferry Corsten's catalogue
- Low end:
- more treble-tilted than 77% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Many Ways (Original Mix) in?
Many Ways (Original Mix) by Ferry Corsten is in C major, or 8B on the Camelot wheel.
What BPM is Many Ways (Original Mix)?
Many Ways (Original Mix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Many Ways (Original Mix)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Many Ways (Original Mix) good for peak time?
With energy 43 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 128 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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