On The Moon - Extended Mix
30s preview
- BPM
- 128
- Open Key
- 4m
- Energy
- 41/100
- Pop
- 6/100
- Length
- 6:53
- Released
- 2017
- Album
- On The Moon
- Genre
- Progressive Trance
- Loudness
- -7.2 dB
- Dynamics
- 13.0 dB
- ISRC
- GBEWA1700822
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- On the Moon (Spencer Brown remix)remix9B · 126
- On The Moonoriginal11A · 128
- On The Moon - Spencer Brown Extended Mixversion9B · 126
Against the original (11A at 128 BPM), this version holds the same tempo in the same key.
On The Moon - Extended Mix is a peak-time tempo progressive trance track in F♯ minor (11A) at 128 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2017 production that still circulates in sets. Calmer than 99% of Oliver Smith's catalogue.
- Groove:
- groovier than 97% of Oliver Smith's catalogue
- Tempo:
- slower than 78% of Oliver Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is On The Moon - Extended Mix in?
On The Moon - Extended Mix by Oliver Smith is in F♯ minor, or 11A on the Camelot wheel.
What BPM is On The Moon - Extended Mix?
On The Moon - Extended Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with On The Moon - Extended Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is On The Moon - Extended Mix good for peak time?
With energy 41 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
![Open End Resource [In My Next Life Mix] by Andrew Bayer cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/384ff98823a0e78ab8c7.webp){kind=small}
How to mix it
In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive trance
More from Oliver Smith
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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