Bullet Catch (extended mix)
30s preview
- BPM
- 128
- Open Key
- 9d
- Energy
- 39/100
- Pop
- 7/100
- Length
- 6:46
- Released
- 2014
- Genre
- Progressive Trance
- Loudness
- -5.8 dB
- Dynamics
- 11.7 dB
- ISRC
- GBEWA1400280
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Bullet Catch (extended mix) runs 128 BPM in A♭ major (4B), a peak-time tempo progressive trance record. The feel is brooding and low-slung. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. Calmer than 85% of Andrew Bayer's catalogue.
- Groove:
- groovier than 85% of Andrew Bayer's catalogue
- Low end:
- more bass-heavy than 76% of Andrew Bayer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Bullet Catch (extended mix) in?
Bullet Catch (extended mix) by Andrew Bayer is in A♭ major, or 4B on the Camelot wheel.
What BPM is Bullet Catch (extended mix)?
Bullet Catch (extended mix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Bullet Catch (extended mix)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Bullet Catch (extended mix) good for peak time?
With energy 39 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
![End Of All Things [In My Next Life Mix] by Andrew Bayer cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/384ff98823a0e78ab8c7.webp){kind=small}
![Love Is Not Enough - feat. Zoë Johnston [Extended Mix] by Above & Beyond cover art](https://i.scdn.co/image/ab67616d00001e025cb8ec171dfb3e386642c13f){kind=small}
How to mix it
In 4B at 128 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive trance
More from Andrew Bayer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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