Bigger Than All Of Us
30s preview
- BPM
- 130
- Open Key
- 8d
- Energy
- 36/100
- Pop
- 0/100
- Length
- 4:22
- Released
- 2025
- Album
- Bigger Than All Of Us (Club Mix)
- Genre
- Progressive Trance
- Loudness
- -11.6 dB
- Dynamics
- 11.8 dB
- ISRC
- GBEWA2503150
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bigger Than All Of Usoriginal3B · 130
- Bigger Than All Of Us - Above & Beyond Club Mixversion3B · 130
- Bigger Than All Of Us - Above & Beyond Extended Club Mixversion3B · 130
Bigger Than All Of Us is a peak-time tempo progressive trance track in D♭ major (3B) at 130 BPM. Tonally it lands brooding and low-slung. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Above & Beyond's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 90% of Above & Beyond's catalogue
- Low end:
- more bass-heavy than 81% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Bigger Than All Of Us in?
Bigger Than All Of Us by Above & Beyond is in D♭ major, or 3B on the Camelot wheel.
What BPM is Bigger Than All Of Us?
Bigger Than All Of Us runs at 130 BPM, a peak-time tempo track.
What mixes well with Bigger Than All Of Us?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Bigger Than All Of Us good for peak time?
With energy 36 out of 100 at 130 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 130 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
![Love Is Not Enough - feat. Zoë Johnston [Extended Mix] by Above & Beyond cover art](https://i.scdn.co/image/ab67616d00001e025cb8ec171dfb3e386642c13f){kind=small}
More progressive trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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